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Jugalbandi between dance and art
Updated On: 02 April, 2024 08:42 AM IST | Mumbai | Shriram Iyengar
A story about a young Warli girl’s love for nature becomes the platform for a cultural meeting of Bharatanatyam, animation and Warli folk music
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Prachi Saathi at an earlier performance
At a time when the debate over gatekeeping in art and the need to diversify forums is gaining credence, there is a need for artistes to step up and embrace experimental mediums. Prachi Saathi’s upcoming performance at the NCPA later this week is a similar experiment that is in its second year. The voice artiste and Bharatanatyam exponent will perform her one-person production, When Walls Dance.
The story, she reveals, began in the pre-COVID days. “I had wanted to create something that blends Warli art with the mainstream of Bharatanatyam,” Saathi shares. A key influence was a debate between urbanisation and deforestation that germinated the story of a young girl, Champa, and her love for a tree. “I have a close connection with the community. The language is also a familiar one. In fact, as dancers, when we draw stick figures to choreograph Bharatanatyam routines, it is not very different to Warli figures. That struck a chord.”
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