Updated On: 13 June, 2022 02:14 PM IST | Mumbai | Nascimento Pinto
Mumbai-based Ayesha Taleyarkhan’s latest photo art exhibition, titled ‘Integration’, will showcase the new work, `Integration 3.0`. In this series, the artist-photographer uses her past photographs to create layers and, in the process, sets the viewer on a journey of self-reflection

In 2017, Ayesha Taleyarkhan shifted her focus to some of the most striking photographs in her collection to create photo art, possibly a culmination of her work of so many decades. Photo Courtesy: Tao Art Gallery
Over the past five decades, Ayesha Taleyarkhan’s body of work has spoken for itself. Since she entered the field of photography in the black-and-white era, the veteran artist has dabbled in various forms of creativity and produced photobooks such as ‘Stree: Woman of India’, ‘Beyond Bombay Balconies’ and ‘Under the Sun: Business as Usual’.
In 2017, Taleyarkhan shifted her focus to some of the most striking photographs in her collection to create photo art, possibly a culmination of her work of so many decades. This love for her evolving photo artwork focuses on the theme of ‘Integration’, with diversity and inclusion as its central theme. The artist says ‘Integration’, a solo show on display at Tao Art Gallery in Worli, showcases `Integration 3.0`, her latest work in the series. It sparked off because of the current deterioration in international relations she witnessed, and the discrimination based on caste, colour and culture, which makes diversity look like a weakness.
For any queries please contact us: E-mail: support@mid-day.com