Updated On: 25 March, 2022 08:55 PM IST | Mumbai | Mayank Shekhar
A film of this sort primarily hinges on what are called ‘money shots’. Or what in Manmohan Desai’s time were termed a picture’s “highlights”.

`RRR` Poster
If the great Manmohan Desai (1937-94) could tinker with the sort of technology that big-budget cinema is currently capable of, I think he would’ve visualised RRR.
A leap of faith so over the top of anything you’ll imagine for a period movie, that the only reason audiences feel safe, all through, is knowing that they (or the film) won’t fall after all. Such is their conviction. It directly flows from the director’s own. He knows what he’s doing.
The SS in SS Rajamouli stand for special-effects, and (stylised) sets (including props)—designed by Sabu Cyril, with such love and care, that it deserves to be preserved for posterity/tourism. The way you can visit Jodhaa Akbar’s set at Karjat’s ND Studio still, or in fact Baahubali’s, partly left intact, in Hyderabad’s Ramoji Rao Studio.