Updated On: 30 September, 2022 11:00 PM IST | Mumbai | Mayank Shekhar
It doesn’t help that you first hear the name Ponniyin Selvan itself, I guess, only in the final quarter of the film

A still from the film
This film traverses breathlessly, at breakneck speed, between way too many scenes, and set-pieces — from horses in battle, armada on high seas, to swashbuckling sword-fights — without a second for any kinda staging of emotions, whatsoever.
The audience isn’t supposed to simply soak in the stuff on screen. So much so that you begin to believe after a point, that maybe a lot of footage has been lost, and the movie has been stitched together, with only the high-points left over.