Updated On: 17 September, 2022 08:06 AM IST | Mumbai | Mayank Shekhar
In a sense, reminding you right away of Govind Nihalani’s directorial debut, Akrosh (1980), similarly set in the boondocks, inspired by a true incident, scripted by the stalwart Vijay Tendulkar

Siya
In a film like this, first frame onwards, you sit in anticipation of a tragedy foretold. Meaning, as it opens to the shot of the female lead on whom the film is titled — peeing in the open field, before dawn, as is quite common in India’s villages — you feel as if the inciting incident might just take place right then. It doesn’t. And not for a few minutes, anyway.
Siya is centred on the rape, further gang-rape, over multiple days, of the eponymous lead character (Pooja Pandey), based in a village, in Uttar Pradesh. More than that, it’s the story of power equations and atrocities that follow, for the survivor and her family, once a gruesome crime is committed already. The options before the oppressed are either to remain silent, or push back. The latter appears even worse!