Updated On: 23 July, 2022 08:24 AM IST | Mumbai | Mayank Shekhar
Sadly or befittingly, conversations for a movie of this scale only boils down to how well it did at the box-office. There is no way to know as an audience, besides to suggest: K ‘Shera Shera’ (whatever will be, will be);” K for Kapoor in a double role, giving it his all

A still from Shamshera
Soon after names in cheap gold lettering start flashing on the screen for opening credits, keeping it tacky in a way that the junta might hoot for better—the screen in this film dims into a dark world of mountains and caves, that you could even identify with Mandwa from the remake of Mukul Anand’s Agneepath (2012), by the same director (Karan Malhotra).
More so, because Sanjay Dutt is up there as the demonically ugly-looking, unwashed baddie, with gold-plated teeth, albeit in police uniform: Shudh Singh. Dutt was just born to nail these blabbering, mythical roles. In another time this ‘Kancha Cheena’ type could well be the thanedaar from Thanedaar (1990). Only this film is set in the late 1800s.