Updated On: 13 September, 2022 07:34 AM IST | Mumbai | Mohar Basu
Dedicating almost seven years to Brahmastra, VFX head Namit discusses how he has tried to bring Indian superhero films on par with Western counterparts

The film has released in over 5,000 screens across India
Until Brahmastra: Part One — Shiva hit the marquee, few Indian movies had showcased that seamless blend of cinematic vision and technology. The stellar special effects are arguably the biggest highlight of the Ranbir Kapoor and Alia Bhatt-starrer. When Namit Malhotra of DNEG came on board as the VFX head and co-producer on Ayan Mukerji’s ambitious directorial venture, all he wanted to do was bring India on par with the West. “India was lacking in access to technology and tools that filmmakers in the West have. I had the desire to bust that notion that India can’t do [superhero films],” he begins.
But that’s where the comparison with the West stopped. Mukerji’s story about a man discovering his superpower of harnessing fire was so rooted in Indian mythology that the team didn’t need to reference from Hollywood movies. “For creative design, we went into our own history, aesthetics, astras, and mythological references. But the technology is borrowed to translate that [vision on screen]. It’s not like Iron Man where there are high-tech gadgets. That could’ve alienated the audiences, but at the same time, it had to look cool enough for kids who are accustomed to Marvel/DC movies,” says Malhotra, adding that it took them “close to seven years” to perfect the film’s VFX.