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Jigar Saraiya: We always think of viability in music
Updated On: 14 November, 2022 07:25 AM IST | Mumbai | Sonia Lulla
Capping a horror trilogy with Bhediya, Sachin-Jigar on creating music that suits the genre, but can be consumed in ordinary settings as well
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Sachin Sanghvi and Jigar Saraiya
With Bhediya, Sachin Sanghvi and Jigar Saraiya wrap up the final part of Dinesh Vijan’s horror trilogy. Asserting that their equation with Vijan is among the healthiest that composers can share with producers, Saraiya says, “We understand each other to the point that we can decipher why he would ask for a song, even if we don’t feel the need for it in a film.” While working on each film, the duo has walked the thin line between catering to the genre of horror, and creating songs that can be consumed in ordinary settings. “If you hear the Stree [title] song, you’ll see that the lyrics [address a girl], but you’ll also understand that it is about the protagonist. We always think about delivering something that you can dance to, and can have on your playlist even on a happy day. We don’t think of it as a horror [soundtrack] alone. Similarly, we haven’t addressed the soundtrack of Bhediya as something that should cater to the creature alone. We think of viability in music.” They intersperse the conversation with discussions on the “exciting” opportunity of creating music, should characters of the three films interact. We ask them if conversations of such an overlap are underway, and they respond with a simple, “Well, yes, and no.”
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