Updated On: 19 March, 2022 07:23 AM IST | Mumbai | Mayank Shekhar
The relatively large cast of characters, with adequate back-stories, are so inspiringly inter-related or hyperlinked, that each one just manages to matter much to the movie, and therefore to each other

A still from the film
Frankly, I can’t recall any other time that I’ve wrapped up a film and gone back right thereafter to the opening credits — obviously not to look up the cast, or director (those are well-known), but to scroll slow, and find the sound designer for a special mention, something one doesn’t tend to do, usually, or ever in fact.
The name mentioned is Anthony Jayaburan. And so far as this film is concerned — but movies in general, I reckon — he’s the reason that if you’re alone, you should ideally plug in a kickass headphone while watching it.
The sound, in all its playful majesty and shock value, is the first thing you notice about Jalsa. Which is anyway a technically sound film, across all departments — cinematography, production design, et al. The credit for which, as always, must go to the director.