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Ashok Kumar: 'Jewel' to his family and 'Jewel Thief' of Hindi cinema
Updated On: 14 October, 2022 09:55 AM IST | Mumbai | ANI
In his second year, in 1934, he used the money he had to pay his exam fee for a ticket to Bombay, where his brother-in-law Sasadhar Mukherjee was a sound technician at the pioneering Bombay Talkies, run by Himanshu Rai and Devika Rani
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Pic Courtesy: IANS
From a family of prominent lawyers, he was expected to follow in their footsteps, but instead chose a career in the fledgling Hindi film industry -- and uncharacteristically, not as a hero. Virtually dragooned by his legendary boss taking over a lead role, despite the director`s opposition, he, in his first-ever take, muffed up a simple scene with the heroine, and then, left the villain with a fractured leg. That, in 1936, was the rather farcical start of the career of Ashok Kumar, who was born on this day in 1911.
Undaunted, he went on to establish himself not only as Hindi cinema`s first superstar as the 1940s began, but also one who was known for his air of naturalness and his willingness to reinvent himself and experiment with playing morally ambiguous or anti-hero roles. At the appropriate time, he moved on to playing more mature roles in line with his age, and then a wide gamut of supporting roles -- without ever getting typecast. He, then, went on to become a TV superstar in the 1980s -- even as a narrator. Most of those who grew up in the 1970-80s may remember Ashok Kumar, affectionately known as `Dadamoni` (`jewel of an elder brother` in Bangla), in roles of an affable elderly man -- who could later turn out not to be as benign as he appeared. He was capable of infinite variations, his oeuvre spanning romantic love, ghost tales, courtroom dramas, family sagas, `Muslim socials`, thrillers, crime capers, lost-and-found, and even, `dirty` stories.
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