Via the Punjabi track, Arjan vailly, Manan Bhardwaj attempts to create an impactful musical narrative for a crucial fight scene in <a href="https://www.mid-day.com/entertainment/bollywood-news/article/animal-movie-review-tight-script-more-essential-than-tight-slap-no-23322805" target="_blank" rel="none noopener">Ranbir Kapoor&rsquo;s Animal</a>. Talking about his discussion with director Sandeep Reddy Vanga on the song, he says, &ldquo;He is able to narrate a film&rsquo;s situation very well. It is in great detail that he describes what will transpire on screen in a scene, and that information is vital for a composer.
<img src="http://images.mid-day.com/images/images/2023/dec/Manan-Bhardwaj_e.jpg" alt="" width="1280" height="720" />
This number is set against a fight between brothers. There are many brothers in the scene, and we needed to record their chorus for a fight sequence. The best part about working with [Vanga] is that he will only discuss the scene, and will let you decide how to tackle the music. I wasn&rsquo;t sure if he would appreciate the sound of sirens or clattering glasses, but given his narration, I assumed it would work,&rdquo; says the Yaariyan 2 composer.&nbsp;
Admitting that a film&rsquo;s casting &ldquo;plays a big role&rdquo; in influencing his work, he says he was &ldquo;more excited than nervous&rdquo; to compose for Kapoor. &ldquo;Creating a visual image of how Ranbir and his 12 brothers would pull off a fight sequence that will involve blood and choreography, is [helpful] in composition.&rdquo;&nbsp;

Animal composer Manan on creating Punjabi track that enhanced film’s fight sequence

Music behind the menace

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