Updated On: 05 June, 2021 11:49 AM IST | Mumbai | mid-day online correspondent
Zoya Akhtar’s family drama is both dazzling and debatable. Dazzling because Akhtar and Reema Kagti write sparkling and spirited characters. And debatable because some still feel her earlier and next films were superior.

Dil Dhadakne Do Poster, Picture Courtesy: Mid-day Archives
A lot of filmmakers like to exploit locations, think of Imtiaz Ali immortalising Corsica in ‘Tamasha,’ or Aditya Chopra almost making Europe one of the central characters in ‘Dilwale Dulhania Le Jayenge.’ Zoya Akhtar likes to exploit (and explore) people. In a charming ode to the world of Hindi films, ‘Luck By Chance’, she showed the story of two people from different worlds aiming to succeed in the same world.
In her next film, she spiced up the dynamics of three friends in ‘Zindagi Na Milegi Dobara’. But it’s ‘Dil Dhadakne Do’ that remains her most interesting work as a filmmaker. If ‘ZNMD’ was about rediscovering your friendship while on a road trip, this is about a family that does the same on a sea. A giant cruise suddenly becomes claustrophobic for a dysfunctional family that has multiple idiosyncratic characters.